But how far can she go? And to what end? Has she gone off her rocker with grief and rage? And where, exactly, is the movie going? She’s woke, she’s fierce, she’s beyond shame or scruples, she’s screaming truth to power, she’s charged up with the wrath of an avenger. A bit later, during an appointment with a dentist who’s friends with Willoughby, she grabs the live drill and plunges it down into his thumbnail, at which point it becomes clear that Mildred isn’t just pressuring the law - she’s vilifying what she views as a patriarchal conspiracy. (It just makes her say, “They won’t be as effective after you croak.”)Ī local priest tries to calm her down, and she responds by likening the church to the Crips and the Bloods (“You’re culpable,” she says). Yet that does nothing to soften Mildred’s fixation on her billboards. When Willoughby shows up to have a talk with her, he sounds, to our surprise, quite sincere in his desire to find the killer - and, what’s more, he reveals that he has cancer. Mildred, for one, turns out to be even more possessed than we thought. Yet the black-and-white moral lines quickly bleed into shades of gray.
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